JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

JAC Board Class 7th Social Science Solutions History Chapter 9 The Making of Regional Cultures

JAC Class 7th History The Making of Regional Cultures InText Questions and Answers

Page 122

Question 1.
Find out how many states have been created in the last 10 years. Is each of these states a region?
Answer:
The four states Uttarakhand, Jharkhand, Chhattisgarh and Telengana have been created in the last 10 years. Yes, each of these state is a region.

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Page 123

Question 2.
Find out when the languages you speak at home were first used for writing.
Answer:
Need to do it yourself with the help of teacher or parents. (Hint: Most probably around 9th century the languages were first used for writing)

Page 126

Question 3.
Find out whether there are traditions of heroes/heroines in your town or village. What are the qualities associated with them? In what ways are these similar to or different from the heroic ideals of the Rajputs?
Answer:
Need to do it yourself. (Hint: Any local hero/heroes would possess the qualities of a loyalty, friendship, love, anger, bravery, etc. Most of these qualities would be similar to ideals of the Rajputs.)

Page 127

Question 4.
Find out more about any one of these dance forms.
Answer:
Bharatanatyam is a dance of Tamil Nadu in southern India. It traces its origins back to the Natyashastra, an ancient treatise on theatre written by the mythic priest Bharata. Originally a temple dance for women, bharatanatyam often is used to express Hindu religious stories and devotions.

It was not commonly seen on the public stage until the 20th century. The dance movements are characterized by bent legs, while feet keep rhythm. Hands may be used in a series of mudras, or symbolic hand gestures, to tell a stoiy. Classical dance in India is based upon and influenced by the Natya Shastra, an ancient Indian text that is the foundation for performing arts.

Page 130

Question 5.
While Bengali is now recognised as a language derived from Sanskrit, early Sanskrit texts (mid-first millennium BCE) suggest that the people of Bengal did not speak Sanskritic languages. How, then, did the new language emerge?
Answer:
Bengali is a language spoken mostly in the state of Bengal and by Bengalis. Bengali is now recognised as a language derived from Sanskrit, but early Sanskrit texts (mid-first millennium BCE) suggest that the people of Bengal did not speak Sanskritic languages. From the fourth-third centuries BCE, commercial ties began to develop between Bengal and Magadha (south Bihar), which may have led to the growing influence of Sanskrit.

During the fourth century the Gupta rulers established political control over north Bengal and began to settle Brahmanas in this area.Thus, the linguistic and cultural influence from the mid-Ganga valley became stronger. In the seventh century the Chinese traveller Xuan Zang observed that languages related to Sanskrit were in use all over Bengal.

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Page 132

Question 6.
Why do you think the second category of texts was not w ritten down?
Answer:
The second category of early Bengali literature was orally transferred to the new generation and not written down.

Page 133

Question 7.
Compare the temple shown here with that in Chapter 2.
Answer:
The temple in Chapter 2 is that of Gangaikonda cholapuram. The temple is built of stone and rock. The intricate designs on the roof of the temple which becomes narrow is the most significant features of this temple. On the other hand, the temple shown here describes a very unique feature of Bengal architecture. It was built on a square platform with a plain interior and exterior have decorative walls, ornamental tiles or terracotta shape and a double roof thached hut shape.

Page 136

Question 8.
Imagine, you are a Rajput prince. How would you like your story to be told?
Answer: Do it yourself.

JAC Class 7th History The Making of Regional Cultures Textbook Questions and Answers

(Let’s Recall)

Question 1.
Match the following:

AnantavarmanKerala
JagannathaBengal
MahodayapuramOrissa
LilatilakamKangra
MangalakavyaPuri
MiniatureKerala

Answer:

AnantavarmanOrissa
JagannathaPuri
MahodayapuramKerala
LilatilakamKerala
MangalakavyaBengal
MiniatureKangra

Question 2.
What is Manipravalam? Name a book written in that language.
Answer:
Manipravalam precisely means diamonds and corals and here it is a language. The name of a book written in that language is Lilatilakam, which deals with grammar and poetics.

Question 3.
Who were the major patrons of Kathak?
Answer:
Kathak began evolving into a distinct mode of dance in the fifteenth and sixteenth centuries with the spread of the bhakti movement. The legends of Radha-Krishna were enacted in folk plays called rasalila, which combined folk dance with the basic gestures of the kathak story-tellers.

Under the Mughal emperors and their nobles, Kathak was performed in the court, where it acquired its present features and developed into a form of dance with a distinctive style. Subsequently, it developed in two traditions or gharanas: one in the courts of Rajasthan (Jaipur) and the other in Lucknow. Under the patronage of Wajid Ali Shah, the last Nawab of Awadh, it grew into a major art form.

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Question 4.
What are the important architectural features of the temples of Bengal?
Answer:
The important architectural features of the temples of Bengal were as follows:

  • When local deities got recognised by the Brahmanas, their images began to be housed in temples.
  • The double roofed or four roofed structure of the thatched huts were copied by the temples.
  • Temples were mostly built in square platform.
  • The interior of the temple were usually plain but the exterior were decorated with paintings, ornamental tiles or terracotta tablets.
  • In the relatively more complex four roofed structure, four triangular roofs placed on the four wall move up to coincide on a curved line or a point.
  • In some temples, particularly in Vishnupur in the Bankura district ‘ of West Bengal, such decorations reached a high degree of excellence.

(Let’s Discuss)

Question 5.
Why did minstrels proclaim the achievements of heroes?
Answer:
Minstrels proclaimed the achievements of heroes because of the following reasons:

  • They used to recite poems and songs which depicted the tales and stories of the Rajput’s heroic deeds.
  • They inspired others to follow the examples of the Rajputs.
  • Common and ordinary people were also attracted by these stories which often depicted dramatic situations and a range of strong emotions loyalty, friendship, love, valor, anger, etc

Question 6.
Why do we know much more about the cultural practices of rulers than about those of ordinary people?
Answer:
Rulers were rich in power and wealth. They adopted several methods to preserve their achievements. Stories about Rajput heroes were recorded in poems and songs, which were recited by specially trained minstrels. Rulers patronised highly skilled painters who primarily-illustrated manuscripts containing historical accounts and poetry.

These were generally painted in brilliant colours and portrayed court scenes and other aspects of social life. Rulers spent a huge wealth on building temples to establish their power and status. Ordinary people did not do anything to preserve the records of their heroic deeds. The aforementioned reasons clearly show why we know more about the cultural practices of rulers than those of ordinary people.

Question 7.
Why did conquerors try to control the temple of Jagannatha at Puri?
Answer:
The conquerors tried to control the temple of Jagannatha at Puri because the temple gained the importance as a centre of pilgrimage. Its authority also increased in terms of social and political matters. Thus, they felt that this would make their rule acceptable to the local people.

Question 8.
Why were temples built in Bengal?
Answer:
Temples were built in Bengal for the following reasons:

  • From the late fifteenth century, temple building in Bengal got momentum till the nineteenth century.
  • Groups or individuals built temples to demonstrate and show their power and wealth.
  • With the support of various social groups, some of the temples got constructed.
  • New economic opportunities to people also helped in temple building to show their status.
  • Local deities once worshipped in thatched roof got recognition by Brahmanas. The recognition shifted them from the thatched hut to brick built temples.

(Let’s Do)

Question 9.
Describe the most important features of the culture of your region, focusing on buildings, performing arts and painting.
Answer:
Need to do it yourself. (Hint : Suppose, I live in Delhi. From beginning itself it has been a land of mixed culture and traditions. In olden days, it has been invaded many times and had been ruled by many rulers. They all affected its culture, religion, language, architecture, society, art, painting etc. We have monuments and buildings built by Mughals, Rajput rulers and many more. We also have temples, mosques built by different rulers. We can see the differences of culture in old and new Delhi now as well).

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Question 10.
Do you use different languages for
(a) speaking,
(b) reading,
(c) writing? Find out about one major composition in language that you use and discuss why you find it interesting.
Answer:
Use of different language for speaking, reading and writing:

  • For speaking I use Hindi, English and Punjabi.
  • For reading I use Hindi and English.
  • For writing I use Hindi and English only.

Question 11.
Choose one state each from north, west, south, east and central India. For each of these, prepare a list of foods that are commonly consumed, highlighting any differences and similarities that you notice.
Answer:

StatesFoods List
North – PunjabRajma-chawal, Makke di rod and sarson da saag, gobhi-paratha
South — KarnatakaIdli-Dosa, Sambhar, Rice and fish
East – West BengalRice and Fish, mutton curry, different types of vegetables
West – RajasthanDaal-bati-churma, pyaj kachori, mawa kachori
Central – Madhya PradeshDal-chapatis

Similarities and differences: Rice and chapattis are common throughout India. But in some parts of India non-vegetarian foods are popular.

Question 12.
Choose another set of five states from each of these regions and prepare a list of clothes that are generally worn by women and men in each. Discuss your findings.

StatesClothes worn – menClothes worn – women
North – PunjabLungi, kurta and turbanChuridar kurta, salwar kameez and dupatta
South – Tamil NaduShirt, AngavastraBlouse, saree, lehenga
East – OdishaDhoti, kurta GamuchaSaree, blouse
West – GujaratChorno, kediyuChaniyo, choli, odhni as dupatta
West – MaharashtraDhoti, pehta, kurta, safaSaree and choli
Central – Madhya PradeshSafa, dhoti, bandi, mirzaiLehenga, choli, odhni, Bandhani sarees

Students need to discuss with the help of mentioned points.

JAC Class 7th History The Making of Regional Cultures Important Questions and Answers

Multiple Choice Questions

Question 1.
Jagannatha means……..
(a) Lord of the empire
(b) The empire of the east
(c) Lord of the world
(d) None of these
Answer:
(c) Lord of the world

Question 2.
Xuan Zang was a…… traveller.
(a) Nepali
(b) Chinese
(c) Burmese
(d) Japanese
Answer:
(b) Chinese

Question 3.
……….. proclaimed himself as God.
(a) Ramanuja
(b) Ruler of Mahodyapuram
(c) Shankara
(d) King of Anangabhima
Answer:
(d) King of Anangabhima

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Question 4.
Kathak’s major patrons were
(a) Rajputs
(b) Mongols
(c) Mughals
(d) Cholas
Answer:
(c) Mughals

Question 5.
The initial miniature paintings were done on
(a) art paper
(b) coarse paper
(c) bark of the tree
(d) palm leaves
Answer:
(d) palm leaves

Question 6.
Odissi and Kuchipudi are classical dances of
(a) Odisha and Andhra Pradesh
(b) Andhra Pradesh and Kerala
(c) West Bengal and Andhra Pradesh
(d) Punjab and Odisha
Answer:
(a) Odisha and Andhra Pradesh

Question 7.
Viharas are
(a) Educational institutions
(b) Health centres
(c) Buddhist monasteries
(d) Tourist places
Answer:
(c) Buddhist monasteries

Question 8.
Most of the Malayalam-speaking people live in
(a) Tamil Nadu
(b) Kerala
(c) Karnataka
(d) Andhra Pradesh
Answer:
(b) Kerala

Question 9.
Lilatilakam was composed in the literary style of Manipravalam which is a mixture of Sanskrit and Tamil. What does Manipravalam precisely mean?
(a) Diamond and pearl
(b) Diamond and gold
(c) Diamond and coral
(d) Gold and coral
Answer:
(c) Diamond and coral

Question 10.
The stories of the heroes of Rajasthan were recorded
(a) as songs and poems
(b) by writing on palm leaves
(c) as dances
(d) none of these
Answer:
(a) as songs and poems

Very Short Answer Type Questions

Question 1.
Which region was called Rajputana by the British?
Answer:
The region that constitutes most of the present day Rajasthan was called Rajputana by the British.

Question 2.
Kathak developed in which region?
Answer:
Kathak developed in the courts of Rajasthan (in Jaipur) and Lucknow.

Question 3.
The Bengali Brahmanas allowed to eat fish. Why?
Answer:
Fish was one of the main foods in the local diet that is why the Bengali Brahmanas were allowed to eat fish.

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Question 4.
What objects or things were used by ordinary people for paintings?
Answer:
Ordinary people used pots, walls, floors, clothes for paintings.

Question 5.
What does the Naths mean?
Answer:
The Naths were the monks or saints who were engaged in a variety of yogic practices.

Question 6.
What does the term Kathaks mean?
Answer:
Originally, the Kathaks were a caste of story-tellers in temples of north India, who made stories more attractive by the additions of decorative features in their performances with gestures and songs.

Question 7.
What made Kangra paintings different from other paintings?
Answer:
Kangra paintings were made with soft colours including cool blues and greens and a lyrical treatment of themes which made it different from other paintings.

Question 8.
Which dynasty built Jagannath temple at Puri?
Answer:
In the twelfth century, rulers of the Ganga dynasty, Anantavarman built Jagannath temple at Puri.

Question 9.
The Chera Kingdom was established in which century?
Answer:
The Chera kingdom of Mahodayapuram was established in the ninth century in the south-western part of the peninsula which is part of present-day Kerala.

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Question 10.
Name the text that was illustrated in the miniature paintings of Himachal Pradesh.
Answer:
The text that was illustrated in the miniature paintings of Himachal Pradesh was Bhanudatta’s Rasamanjari.

Short Answer Type Questions

Question 1.
Define the term Animism.
Answer:
Animism means the belief that all natural things such as plants, animals, rocks, thunder and earthquakes have spirits which human beings cannot see and can influence human events.

Question 2.
In how many categories, Bengali literature can be divided?
Answer:
Bengali literature can be divided into two categories, they are:

  • The first category of literature is bounded to Sanskrit. Under this category, the translated Sanskrit epics, the Mangalakavyas means auspicious poems and bhakti literature such as the biographies of Chaitanya, the leader of the Vaishnavite movement comes.
  • The second category consists of Nath literature such as the songs of Maynamati and Gopichandra stories concerning the worship of Dharma Thakur and tales, folk tales and ballads.

Question 3.
Dochala and Chauchala were used in which region and where?
Answer:
Dochala means two-roofed and chauchala means four-roofed. Dochala and Chauchala were used in Bengal region and in the structure of the thatched huts and temples.

Question 4.
In which year Jagannatha temple at Puri was built, by whom it was built and which deities are worshipped over there?
Answer:
In the 12th century, the ruler of Ganga Dynasty Anantavarman built the temple for Purushottama Jagannatha at Puri. The three deities namely Balabhadra, Subhadra and Jagannatha represents Buddha, Dharma and Sangha, are worshipped over there.

Question 5.
Explain in short about Rajput women.
Answer:
Like men, Rajput women were also very brave. To protect their honour, the practice of ‘Sad ’ or Self-immolation of widows for their husbands who died in war was started by Rajput women. These women who sacrificed their lives are shown as great heroines. Rajput cultures have been enriched by heroic deeds of men and women.

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Question 6.
How do you think regional cultures evolve?
Answer:
Today, regional cultures are the product of complex processes and procedures of intermixing of local traditions and cultures with ideas from other parts of the subcontinent.

Question 7.
What was the role of Cher as in the development of Malayalam?
Answer:
The Chera kingdom of Mahodayapuram was established in the ninth century in the south-western part of the peninsula, part of present-day Kerala. It is very likely that Malayalam was spoken in this region. The rulers and kings introduced and mentioned about the Malayalam language and script in their inscriptions. As a matter of fact, this is one of the earliest illustrations of the use of a regional language in official records in the subcontinent.

Question 8.
Miniature painting developed manifold under the Mughal patronage. How?
Answer:
The Mughal emperors Akbar, Jahangir and Shah Jahan patronised highly skilled painters and artists who first and foremost illustrated manuscripts which contained historical events and poetry. These were generally painted in brilliant and bright colours and portrayed court scenes, scenes of battle or hunting, and other aspects of social life. They were often exchanged as gifts and were viewed only by the emperor and his close associates.

JAC Class 7 Social Science Solutions History Chapter 9 The Making of Regional Cultures

Question 9.
Give a short note on classical dances of India.
Answer:
There are eight .classical dance formsof India and the status has been granted by the Sangeet Natak Academy. These forms include Bharatanatyam of Tamil Nadu, Odissi of Odisha, Manipuri of Manipur, Kathakali and Mohiniaattam of Kerala, Kuchipudi of Andhra Pradesh, Kathak of Lucknow and Yakshagana of Karnataka. These dance forms have their own set of rules. Most of these dance forms draw their origin to the Natya Shastra of Bharata Muni of ancient times.

Long Answer Type Questions

Question 1.
What do you mean by the pirs? What was their position and status in the society?
Answer:
The early colonizers in Bengal sought some order and assurance in the unstable and unfavourable conditions of the new settlements. These were provided by the community leaders who also functioned as teachers and adjudicators and were sometimes attributed and assigned with supernatural powers.

Hence, people referred to them with affection and respect as pirs. This included saints or Sufis and other religious personalities, daring colonizers and deified soldiers, various Hindu and Buddhist deities and even animistic spirits. The cult of pirs became very popular and their shrines can be found everywhere in Bengal.

  • A Pirs role is to guide and teach his disciples on the Sufi path. This is generally done by general lessons known as Suhbas and individual guidance is also there.
  • The title Peer Baba is common and used to give a acknowledgement to Sufi masters or similarly honoured persons. After their death people visit their tombs.

Question 2.
Briefly describe about Rajput traditions and cultures of heroism.
Answer:
Rajputs made the culture and traditionsvery distinctive. They are firmly related to the culture and tradition of Rajasthan. These are inter-linked with the ideals and aspirations of rulers. Rajasthan has been ruled by various brave Rajput families from about eighth century. One of the great and famous Rajput king was Prithviraj Chauhan.

The rulers are known for their bravery and a huge sense of sacrifice. They also cherished the perfect ideal of a hero who fought firmly and bravely and often chose death on the battlefield rather’than face defeat. Stories and tales about Rajput heroes were recorded in songs and poems which were recited by trained and skilled minstrels.

The memories of heroes were preserved and were expected to inspire and motivate others and expected to follow their examples. Common people also liked these tales which were depicted in dramatic situations and had a range of strong emotions in the form of bravery, loyalty, anger, love, friendship, etc.

JAC Class 7 Social Science Solutions

JAC Class 7 Social Science Notes History Chapter 9 The Making of Regional Cultures

JAC Board Class 7 Social Science Notes History Chapter 9 The Making of Regional Cultures

→ Today regional cultures are often the product of complex processes of intermixing of local traditions and cultures with the ideas from the other parts of the subcontinent. Some of the traditions appear to be specific to some regions or areas, others seem to be similar across regions and yet others derive from older practices in a specific region but take a new form in other regions.

→ The Cheras and the Development of Malayalam:

  • In the ninth century, the Chera kingdom of Mahodayapuram was established in the south-western part of the peninsula which is now a part of present-day Kerala and Malayalam was spoken and used in this area. In official records in the subcontinent, this one is the earliest examples of the use of a regional language.
  • But at the same time, the Cheras also drew upon Sanskritic traditions. Around the twelfth century, the first literary works in Malayalam are directly bounded to Sanskrit. A fourteenth-century text, named as the Lilatilakam was composed in Manipravalam means ‘diamonds and corals’ referring to the two languages which were Sanskrit and the regional language.

JAC Class 7 Social Science Notes History Chapter 9 The Making of Regional Cultures

→ Rulers and Religious Traditions: The Jagannatha Cult:

  • Regional cultures grew around religious traditions in other regions. One of the best instance of this process is the cult of Jagannatha which means lord of the world, a name for Vishnu at Puri, Orissa (now Odisha).
  • Till date, the local tribal people make the wooden image of the deity which suggests that the deity was originally a local god.
  • One of the major rulers of the Ganga Dynasty, Anantavarman, decided to erect a temple for Purushottama Jagannatha at Puri in the twelfth century. In 1230, King Anangabhima III dedicated his kingdom to the deity and announced officially himself as the ‘deputy’ of the god.
  • Those who conquered Orissa (now Odisha) such as the Mughals, the Marathas and the English East India Company, they attempted to gain control over the temple. They thought that this would make their rule admissible to the local people as its authority in social and political matters also increased.

→ The Rajputs and Traditions of Heroism:

  • The Rajputs are often acknowledged as contributing to the distinctive culture of Rajasthan. From about eighth century, the Rajput rulers cherished the ideal of the hero who fought heroically and often choosing death on the battlefield rather than to face defeat.
  • Many stories and narratives about Rajput heroes were recorded in the form of poems and songs which were recited by specially trained minstrels.
  • Women are also portrayed as following their heroic husbands in both life and death, there are many tales about the practice of sati or the immolation of widows on the funeral pyre of their husbands.

→ Beyond Regional Frontiers: The Story of Kathak

  • One of the dance form is Kathak which is now associated with several parts of north India. The word kathak is derived from katha which means a word used in Sanskrit and other languages for story.
  • In the fifteenth and sixteenth centuries with the growth of the bhakti movement, Kathak began to evolve into a distinct mode of dance. Radha-Krishna tales were enacted in folk plays called rasa lila where folk dance combined with the basic gestures of the kathak story-narrators.
  • Kathak was performed in the court under the Mughal emperors and their nobles where it developed in a form of dance with a distinctive style.
  • Kathak developed in two traditions or gharanas— one in the courts of Rajasthan (Jaipur) and the other in Lucknow. Under the assistance and support of Wajid Ali Shah, the last Nawab of Awadh it grew into one of the major art form.
  • After the independence, Kathak was recognized as one of the six classical dances of India. The other classical dances are Kathakali, Bharatnatyam, Odissi, Manipuri and Kuchipudi.

→ Painting for Patrons: The Tradition of Miniatures

  • Another tradition that developed in different ways was that of miniature painting. In earlier days, miniatures were beautifully painted on palm leaves or wood found in western India which were used to illustrate Jaina texts.
  • Most of the miniatures were exchanged as gifts and were viewed only by the exclusive people, the emperor and his close associates.
  • Mughal artistic tastes had an impact on the regional courts of the Deccan and the Rajput courts of Rajasthan. But, they retained and developed their distinctive characteristics. Also the themes from mythology and poetry were described at centres such as Mewar, Jodhpur, Bundi, Kota and Kishangarh.
  • In the late seventeenth century, another region that attracted miniature paintings was the Himalayan foothills and had developed a bold and intense style of miniature painting called Basohli. The most popular painting was Bhanudatta’s Rasamanjari.
  • In the mid-eighteenth century, the Kangra artists developed a style in miniature painting. The source of creativity and innovation was the Vaishnavite traditions. Kangra painting was different from others as they used soft colours including cool blues and greens, and a lyrical treatment of themes.
  • Also ordinary and simple women and men painted on pots, walls, floors, cloth and their works of art have occasionally survived, unlike the miniatures that were carefully preserved in palaces for centuries.

→ A Closer Look: Bengal – The Growth of a Regional Language

  • By the third-fourth centuries BCE, commercial ties began to develop between
    Bengal and Magadha (south Bihar) which may have led to the growing influence of Sanskrit.
  • The verbal and cultural influence from the mid-Ganga valley became stronger during fourth century. The Chinese traveller Xuan Zang in the seventh century marked that languages related to Sanskrit were in use all over Bengal.
  • Bengal became the centre of a regional kingdom under the Palas in the eighth century. When Akbar conquered Bengal in 1586, it formed the nucleus of the Bengal suba. Bengali developed as a regional language, while Persian was the language of administration.
  • By the fifteenth century, the Bengali group of dialects became united by a common literary language based on the spoken language of the western part of the region which is now known as West Bengal. Though Bengali is derived from Sanskrit, it passed through several stages of evolution. It includes a wide range of non-Sanskrit words which derived from a variety of sources such as tribal languages, Persian, and European languages all become a part of modem Bengali.
  • The early Bengali literature may be divided into two categories—one indebted to Sanskrit and the other independent of it. The first consists of translations of the Sanskrit epics, the Mangalakavyas means auspicious poems which deals with local deities and bhakti literature such as the biographies of Chaitanyadeva, the leader of the Vaishnava bhakti movement.
  • And, the second one consists of Nath literature such as the songs of Maynamati and Gopichandra and stories of Dharma Thakur, fairy tales, folk tales and ballads.

JAC Class 7 Social Science Notes History Chapter 9 The Making of Regional Cultures

→ Pirs and Temples:

  • There were community leaders who also performed and served as teachers and adjudicators and were sometimes attributed with supernatural powers. These people were referred as pirs who also get affection and respect.
  • These also included saints or Sufis and other religious personalities, brave colonisers and deified soldiers, varied Hindu and Buddhist deities and even animistic spirits. Thus, the cult of pirs became very popular and their shrines can be found everywhere in Bengal.
  • In Bengal, most of the modest brick and terracotta temples were built with the support of different Tow’ social groups, such as the Kolu (oil pressers) and the Kansari (bell metal workers). Many families belonging to these social groups got benefits with the coming of the European trading companies which created new economic opportunities.
  • Their social and economic position were improving and hence, they proclaimed their status through the construction of temples. The temples began to copy the double- roofed means dochala or four-roofed means chauchala structure of the thatched huts. This led to the evolution of the typical Bengali style in temple architecture.
  • In some of the temples particularly in Vishnupur in the Bankura district of West Bengal, decorations reached a high degree of excellence. As the interior was comparatively plain but the outer walls of many temples were decorated with paintings, ornamental tiles or terracotta tablets.

→ Fish as Food:

  • Since, Bengal is a riverine plain hence it produces plenty of rice and fish. One of the most important occupation was fishing and Bengali literature contains several references to fish. Apart from this, terracotta plaques on the walls of temples and viharas (Buddhist monasteries) depicts the scenes of fish being dressed and taken to the market in baskets.
  • From a thirteenth century Sanskrit text from Bengal, the Brihaddharma Purana permitted the local Brahmanas to eat certain varieties of fish.

JAC Class 7 Social Science Notes